References Featured
Audemars Piguet Royal Oak Offshore
Worn by: James Logan as Jorge Lara
Reference: Audemars Piguet Royal Oak Offshore
Brand: Audemars Piguet
Elite assassin Arthur Bishop specializes in making his hits appear as accidents. The film opens with Bishop's most challenging assignment: infiltrating the heavily-guarded Colombian estate of cartel boss Jorge Lara. Bishop submerges himself in Lara's pool, waiting beneath the water's surface until the cartel leader enters for his morning swim. Bishop drowns him silently while security guards patrol mere feet away. The Royal Oak Offshore Alinghi Polaris was created in 2005 to commemorate Team Alinghi's 2003 America's Cup victory—the first Swiss team to win sailing's most prestigious trophy. Limited to 2,000 pieces, this 43mm automatic chronograph features AP's caliber 2326/2848 with regatta flyback function and integrated compass. The black dial displays "Grande Tapisserie" pattern with red accents and the distinctive Alinghi logo, perfectly matching a wealthy cartel boss's taste for exclusive sporting timepieces.
IWC Aquatimer
Worn by: Jason Statham as Arthur Bishop
Reference: IWC Aquatimer
Brand: IWC
Arthur Bishop’s black IWC Aquatimer Chronograph is a study in functional brutality. Its matte surfaces and deep-water heritage fit a hitman who treats precision as creed. In each meticulously staged execution, the watch’s presence underscores his devotion to timing — a professional’s religion. The Aquatimer, built for divers, becomes a metaphor for Bishop’s own descent: a man operating comfortably in pressure zones where others would suffocate.
Panerai Radiomir
Worn by: Jason Statham as Arthur Bishop
Reference: Panerai Radiomir
Brand: Panerai
Arthur Bishop’s Panerai Radiomir Chronograph PAM204H, a rare Wempe Limited Edition, captures the paradox of a professional killer who reveres precision as morality. Its cushion case and wire lugs evoke the purity of vintage design, while the chronograph complication signals a mind calibrated to seconds. The exclusivity of the piece — one of only 125 made — mirrors Bishop’s isolation: singular, exacting, irreplaceable. In the film’s immaculate violence, the Radiomir measures not time but conscience, ticking evenly as life stops around it.