¶ References Featured
¶ Cartier Tank Française
Worn by: Kathryn Hahn as Claire Debella
Reference: Cartier Tank Française
Brand: Cartier
During the COVID-19 pandemic, Connecticut governor Claire Debella accepts an invitation to tech billionaire Miles Bron's private Greek island for a murder mystery weekend. Running for Senate, Claire is beholden to Miles—he funds her political career and pressures her to endorse "Klear," his dangerous hydrogen-based alternative fuel. When detective Benoit Blanc uncovers that Miles murdered his former partner Andi Brand to protect his empire, Claire must choose between loyalty and conscience. The Tank Francaise balances femininity with bold presence through its integrated bracelet design and Art Deco aesthetics—a savvy choice reflecting Claire's serious political office while hinting at the compromising deals that brought her to the island.
¶ Omega Seamaster
Worn by: Daniel Craig as Benoit Blanc
Reference: Omega Seamaster
Brand: Omega
Verification: 100%
Detective Benoit Blanc’s Omega Seamaster 1948 encapsulates the paradox of the world’s most theatrical detective: a classic mind encased in eccentricity. The watch’s polished domed crystal and vintage-style leaf hands evoke midcentury rationalism—a throwback to the age of Poirot and Marple—but its modern Co-Axial heart reveals a brain built for precision. As Blanc strolls through tech-billionaire excess in Glass Onion, his Omega marks him as a man who values craft over flash. The 1948 Seamaster doesn’t shout; it listens, ticks, observes. It is the detective’s perfect companion: elegant, composed, and incapable of lying.
Source: https://supercarblondie.com/5-things-you-probably-missed-in-glass-onion-a-knives-out-mystery/
¶ Panerai Luminor Marina
Worn by: Dave Bautista as Duke Cody
Reference: Panerai Luminor Marina
Brand: Panerai
Duke Cody’s Panerai Luminor Marina is pure performance — a slab of masculine bravado strapped to a man desperate to be taken seriously. Its oversized case and stark black dial reflect his self-mythologizing fitness-guru persona, every polished surface broadcasting ego. Yet in the film’s layered satire of image and influence, the watch becomes ironic: a tool of authenticity worn by someone who’s forgotten what real looks like. When Duke flaunts it on screen, the Panerai tells the truth he won’t — time’s running out on the illusion.
